“The question is only whether one starts from the soul or from the clothes.” – Van Gogh Van Gogh used roughly parallel brushstrokes to model his facial features.

Google Arts & Culture features content from over 1200 leading museums and archives who have partnered with the Google Cultural Institute to bring the world's treasures online. Be Inspired By The Latest Looks From the Self-Portrait Official Online Store; Exclusive Products, Complimentary UK Delivery & Express International Shipping. SPC5.1990. Find more prominent pieces of self-portrait at Wikiart.org – best visual art database. In the 1700s, Madame Le Brun painted portraits of nobility, and with Marie Antoinette’s support, her career flourished. On my infrequent visits to London whenever I can steal a few moments for my private pleasure, I pay a fleeting visit to the National Gallery and head immediately for the same room. Self Portrait in a Straw Hat is a signed copy by the artist of a very popular self portrait that she painted in 1782 and which is now in the collection of the baronne Edmond de Rothschild. ‘Self-portrait in a Straw Hat’ was created in c.1787 by Louise Elisabeth Vigee Le Brun in Rococo style. Short of funds but determined nevertheless to hone his skills as a figure painter, he became his own best sitter: "I purposely bought a good enough mirror to work from myself, for want of a model." Van Gogh was probably more interested in the human face than other Impressionists, whom he encountered for the first time in 1886. Perhaps the greatest female painter of the 18th Century, Madame Lebrun painted many portraits of the royals, especially of the Queen of France, Marie Antoinette. Painting and Sculpture Oil on canvas. 13 3/4 x 11 3/8" (34.9 x 28.9 cm). It is notable for its loose, sketchy style. This sketchy self-portrait is an example of the amazingly rapid progress Van Gogh made in Paris. Fritz Erpel. Whilst visiting the Low Countries in 1782 she saw, and greatly admired, Rubens ’s Portrait of Susanna Lunden (known as Le Chapeau de Paille , and now also in the National Gallery). Elizabeth was taught to paint by her father Louis Vigée who was an artist specialising in portraiture using pastels as his medium. “Self-portrait in a Straw Hat” by Louise Élisabeth Vigée Le Brun portrays the prominent French portrait painter who was a friend and favorite artist of Marie Antoinette.

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