The Queen of Spades, Royal Opera review - uneven cast prey to overthought concept Two stories painstakingly interwoven, but the dark heart of Tchaikovsky/Pushkin falters. Jan. 14, 2019 Tweet Share . A work of extreme moods and colors, The Queen of Spades explores life’s frivolities as well as the darkest impulses of obsession, addiction, madness, and self-destruction. The Queen of Spades, Royal Opera review - uneven cast prey to overthought concept . The story centers on Ghermann, an army engineer who becomes obsessed with wresting from a decrepit countess, known as the Queen of Spades, her secret to success at cards. A work of extreme moods and colors, The Queen of Spades explores life’s frivolities as well as the darkest impulses of obsession, addiction, madness, and self-destruction. Tchaikovsky began work on The Queen of Spades in 1889. For this Norwegian director, existing classics are merely material out of which to make an opera of his own. For this Norwegian director, existing classics are merely material out of which to make an opera of his own. M addening yet spectacular, prickling with insight but oh so laboured in execution, Stefan Herheim’s new staging of The Queen of Spades (1890) at the Royal Opera … Ken Howard / Met Opera. As an opera, Tchaikovsky’s The Queen of Spades may be a curate’s egg, but the Met’s decision to revive Elijah Moshinsky’s deftly observed, chocolate box of a production offered a pair of additional draw-cards in the form of the house debuts of conductor Vasily Petrenko and rising star soprano Lise Davidsen. The Queen of Spades, Op. He plays the terrifyingly obsessed Gherman, an unhappy soldier desperate to know a secret hidden by a mysterious old countess - the mystery of winning at cards. In an age where sometimes it appears that creativity's … Flanking him are a plethora of other signature roles for two baritones, two mezzo-sopranos, and a soprano. Lyric Opera Presents Tchaikovsky’s THE QUEEN OF SPADES Review — Gambler on Analyst’s Couch Posted on February 16, 2020 February 25, 2020 by Amy Munice Click here to read more Picture This Post Lyric Opera stories. The Queen of Spades is playing at the Lyric Opera House through March 1st – and it made me a fan of Opera. 68 (Russian: Пиковая дама, Pikovaya dama, French: La Dame de Pique) is an opera in three acts (seven scenes) by Pyotr Ilyich Tchaikovsky to a Russian libretto by the composer's brother Modest Tchaikovsky, based on a novella of the same name by Alexander Pushkin, but with a He based it on a short story by Alexander Pushkin, one of his favourite writers. But Carmen is a hackneyed opera, and The Queen of Spades is not, and Herheim’s approach is so all-absorbing that Tchaikovsky’s characters are turned into ciphers.

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